Toneworks AX5G Guitar Modeling Signal Processor
FEATURES Number of Effects: Pre-effect type: 11 (10 pre-effects + a pedal wah) Drive/Amp Model type: 16 Cabinet Model type: 10 Modulation effect type: 10 Delay effect type: 5 Reverb effect type: 5 Noise Reduction Number of Programs: 80 (40 users / 40 presets) Connections: Input: 1/4" phone jack Output: 1/4" stereo phone jack Signal Processing: 24-bit A/D, D/A conversion, 31.25 kHz sampling frequency Tuner Functions: Detection Range: C1 E6, Calibration: A4 = 438 ...
VOX StompLab IIG Modeling Guitar Effect Processor
Compact Pedal with Tons of Sound The compact (yet feature-laden) Vox StompLab IIG is perfect for musicians who want a ton of tones in a small space. Using the same sound engine as Vox's VT+ amps and ToneLab multi-effects units, the StompLab offers 100 gig quality presets for any style of music. An intuitive and easy to navigate layout makes the StompLab perfect for seasoned pros and beginners. You can create your ideal sound choosing from over 100 types of programmable effects. Cut down the gea...
Vox StompLab IG Modeling Effects Pedal
Compact Pedal with Tons of Sound The compact (yet feature-laden) Vox StompLab IG is perfect for musicians who want a ton of tones in a small space. Using the same sound engine as Vox's VT+ amps and ToneLab multi-effects units, the StompLab offers 100 gig quality presets for any style of music. An intuitive and easy to navigate layout makes the StompLab perfect for seasoned pros and beginners. You can create your ideal sound choosing from over 100 types of programmable effects. Cut down the gear...
Ernie Ball AMBIENT DELAY
The Expression Series Ambient Delay provides a hybrid of digital delay layered with plate reverb, for everything from slap-back to extended repeats. It features settings for delay time (50ms - 1s), delay feedback, reverb level, and a foot-sweepable effect level control to create anything from subtle textures to ambient soundscapes, all without taking your hands off the guitar.
Ernie Ball EXPRESSION OVERDRIVE
The Ernie Ball Expression Overdrive delivers natural tube-like overdrive with more range than ever before. It features settings for drive, boost and tone, with a foot-sweepable overdrive control, making it effortless to go from clean to searing lead tones and everything in between, all without taking your hands off the guitar.
Jim Dunlop GREEN RHINO MK4
The Green Rhino™ Overdrive
Mark IV is smaller and more compact than its ancestors, but it has more force
than ever behind its mighty charge. In addition to the Volume, Tone, and Drive
controls of the original. Want to take this pedal back to its ancestral roots?
Just throw the Classic switch to get the simple Volume, Tone, Drive setup and
sound of the original Green Rhino Overdrive.
It can take a clean amp from pristine purity to a punchy, dynamic rhythm
tone, but put it in front of...
Fishman TONEDEQ AFX PREAMP EQ
The ToneDEQ Preamp EQ is a complete performance solution for
the acoustic musician. With a high-quality preamp, dual effects section, tone
controls, a compressor, level booster and a balanced D.I. — it’s got everything
you need in one box.
Jim Dunlop DC BRICK
• Handles twice the power of the original DC Brick
• Eight 9v outputs and two 18v outputs
• Each 9v output has a red LED that illuminates in case of a short
Jim Dunlop Cry Baby Mini
Half the size of a standard Cry Baby pedal Three internally adjustable voicings Full sweep range True bypass switching
Jim Dunlop 5150 Overdrive
Designed in close collaboration with Eddie Van Halen Features multi-stage MOSFETs, 3-band EQ, Boost switch, and Gate Extremely versatile
Jim Dunlop Sub machine Oct Fuzz
The MXR Sub Machine Fuzz kicks open the door to
epic and unbridled sonic exploration. This mean little box combines the
shaggy vintage tones of the La Machine Fuzz with a growling sub octave
circuit, giving you a one way ticket to the sonic frontiers of heavy.
The Sub Machine Fuzz features the La Machine Fuzz’s circuitry and all
of its functions, from its Volume, Tone, and Fuzz controls to its
electrifying octave up mode. The MXR Custom Shop team upped the ante by
adding an ol...
The legendary Way Huge Green Rhino has returned! The Mk II has all the gorgeous classic overdrive that you crave but it has evolved to include cool new features that make it even more rhinoceriffic. In addition to the Volume, Tone, and Drive controls, you get a 100Hz EQ knob to cut or boost your low end by 12dB. Your low notes can either shake the ground like a stampede across the savannah or cut through the mix like a charging rhino’s horn. This pachyderm of a pedal also sports a Curve control ...
Jim Dunlop Slash Cry Baby® Classic Wah Wah SC95
Throughout his career, Slash has used the Cry Baby to create his
trademark epic solos that he weaves into his groundbreaking gritty,
blues-influenced rock. We worked closely with him to design the Slash
Cry Baby Classic, custom-voiced for the raw, expressive sound that
influenced a generation of guitar players. Tuned to a lower frequency
and featuring a custom-wound resonance inductor, this wah- wah has a
huge dynamic range and a wide sweep. Two side-mounted blue LEDs indicate
Jim Dunlop Clyde McCoy® Cry Baby® Wah Wah CM95
The Clyde McCoy® by Cry Baby® Wah Wah is a tribute to the first
production wah wah ever made. This modernized classic captures the
throaty voice and expressive sweep of the original while offering
gigging players the consistency and convenience they need on the road.
As heirs to the wah wah lineage and guardians of its legacy, Dunlop drew
from decades of wah wah design and building experience to ensure that
the CM95 faithfully represents the tone and spirit of the very first wah
Of all the retro FX, perhaps the most authentic and coolest is
Tremolo. Instantly calling up the spirit of the ’60s, Tremolo was the
first effect to appear on a Marshall amp in the early 1960s. Marshall
has now updated the Tremolo in the form of the Vibratrem.By using
split phase modulation, an incredibly wide sonic field can be created
by hooking the Vibratrem up to two amplifiers and running in stereo. The
Vibratrem features a passive bypass for the main signal path to ensure
Ernie Ball MVP Most Valuable Pedal
MVP - Minimum volume control allows for the heel position to be set at zero up to 50% for any rhythm level. Gain control allows for the toe position to be set at 100% up to a boosted 20+ decibels of gain for powerful lead levels. Tuner output can be used at any volume, with any tuner, without any effect on audio signal. No high frequency loss at any volume. Works with active and passive audio signals. Can be placed anywhere in the signal chain. Improved sweep for ideal volume control, 9v ba...
Jim Dunlop ECB-04 Barrel 18V Adapter
Properly power your 18-volt pedals with an adapter you can count on The Dunlop ECB004 18-volt DC Adapter is a quiet, well-regulated power supply that powers most effects pedals that run on 18 volts. With 1000mA of current, the ECB004 can even run power supplies such as the DC Brick. 2.1mm by 5.5mm positive barrel with negative center. Note: Be sure to check the label on the power supply to ensure compatibility with your effects pedal. ECB004 adapters manufactured before summer 2011 had a curren...
Jim Dunlop Way Huge Electronics Echo-Puss™ Analog Delay
There's nothing standard about this analog delay designed by Jeorge Tripps The Way Huge Echo-Puss was designed by delay expert Jeorge Tripps for players who want an organic analog delay pedal that allows them to fine-tune their delay sound with a simple user interface. It serves up 600ms of delay with a pair of gravelly-voiced bucket-brigade chips and a gain circuit pre-set for optimal signal output to add thickness and grit to your delay signal. Additionally, a fully tweakable LFO modulation c...